Dilşad Aladağ is a researcher and practitioner whose work spans cultural, artistic, and curatorial fields. Her works center on understanding the complexity of transition processes with an emphasis on spatial and ecological subjects and the performances of power and resilience. Through archival and field research, she engages with the overlaying temporalities and spatialities, revealing intersections, frictions and knots. Her practice weaves these elements into compelling constellations, crafting narratives that open space for poetic and political dialogues.
With a background in architecture from Istanbul Technical University and a master’s of science in European Urban Studies from Bauhaus University Weimar, her work bridges research and artistic and design experimentation. Her collaborative practices, including The Garden of (not) Forgetting, Plankton Project likewise her individual practice was supported by various grants including the SALT Research Funds (2018), SAHA Sustainability Fund (2020, 2022, 2023), Prince Claus Seeds Awards (2023), and Culture CIVIC Grassroots Program (2022, 2023). These practices have been shown on diverse platforms such as Kunsthaus Hamburg (2020), DEPO Istanbul (2021), Franconia Jewish Museum (2022), Daadgalerie (2023), Salt Research and Programs (2023) and SAVVY Contemporary Berlin (2024).
She is the founder of the Mahsul [Yield] Initiative and a member of the newly founded ANATOPIA design and research constellation. Currently pursuing an artistic research PhD at the Bauhaus University Weimar, she investigates the spatial, material and seasonal interplays formed between nomadic pastoralism and water bodies in the South Anatolian context.
Selected Reviews