Dilşad Aladağ

m.dilsadaladag@gmail.com


Researcher and practitioner
on cultural, artistic and curatorial grounds. 
She is a  doctorate researcher at the Arts and Design
PhD program at the Bauhaus Uni. of Weimar.  more


Mahsul Vakaları / Yield Events 2024

    exhibition
    Natives and Displaced Ones
    A Fictive Dialogue on Dunes
    RENK / TIMBRE

Mahsul [Yield] Project 2022 - ongoing

    online platform
    curated gatherings
    printed publication

Taklak 2022 -  ongoing
   
    research and archive
    performance

ALAN at Berlin 2022 - 2023

    curated gatherings

Unutma Bahçesi 2017 - 2022
The Garden of (not) Forgetting


    research
    exhibition in İstanbul
    exhibition in Fürth / Nürnberg
    film
    Nevşunema
    a Sequence From a Garden

Many Places on the Trial of a Place 2021

    printed publication
    article series
   
Hajde 2021 installation and zine

Narrating the Discordant 2022  thesis

Belonging
2018 - 2019 design

Plankton Project
2015 - 2017
   
     urban collective
     Gölge Seferihisar
     Durak Ovacık
     
WORKS as an employee

SALT Winter Garden
Visiting Scolars and Guest Artist Offices
Imaginable Guidelines Istanbul
Salt Reading Room
Summer Homes: Claiming the Coast


Dilşad Aladağ

m.dilsadaladag@gmail.com


Researcher and practitioner
on cultural, artistic 
and curatorial grounds.
She is a doctorate researcher at the
Arts and Design PhD program at the
Bauhaus Uni. of Weimar.  
more

Mahsul Vakaları / Yield Events 2024

    exhibition
    Natives and Displaced Ones
    A Fictive Dialogue on Dunes
    RENK / TIMBRE

Mahsul [Yield] Project 2022 - ongoing
 
    online platform
    curated gatherings
    printed publication 

Taklak 2022 -  ongoing
   
    research and archive
    performance

ALAN at Berlin 2022 - 2023

    curated gatherings

Unutma Bahçesi 2017 - 2022
The Garden of (not) Forgetting


    research
    exhibition in İstanbul
    exhibition in Fürth / Nürnberg
    film
    Nevşunema
    a Sequence From a Garden

Many Places on the Trial of a Place 2021

    printed publication
    article series
   
Hajde 2021 installation and zine

Narrating the Discordant 2022  thesis

Belonging
2018 - 2019 design 

Plankton Project
2015 - 2017
   
     urban collective 
     Gölge Seferihisar
     Durak Ovacık
     
WORKS as an employee

SALT Winter Garden 
Visiting Scolars and Guest Artist Offices
Imaginable Guidelines Istanbul
Salt Reading Room
Summer Homes: Claiming the Coast




A Fictive Dialogue on Dunes 

Artistic research, lecture performance and installation / İzmir / Bayetav Sanat 
The project is developed within the scope of the Mahsul Vakaları and Shorelines projects.


The lecture-performance, titled Identification of the Dune, Invention of the Coast, is based on Professor İbrahim Atay’s book Identification and Afforestation Technique of Dunes published in 1972. It begins with an intergenerational dialogue between the performer and the author through his voice memos, exploring the contrasts between the perspectives of the identifier and the reclaimer, companion seeds, and architectural interventions. This fictive dialogue takes past studies conducted on the Mediterranean coasts into account and aims to ignite discussions on the practices that lay the groundwork for the transformation of Turkey’s coasts. The installation, A Fictive Dialogue on Dunes, invites the viewers to experience the performance space containing the presentation-performance recording, research outputs and observation tools.


scenes from performance record

A Fictive Dialogue on Dunes, 2024 
Dilşad Aladağ
Video, site-specific installation
Performance recording, 47’ 00” (loop),
Archive file containing drawings, sand and plant samples, texts, overhead projector and magnifying lamp, ‎150 x 50 x 120 cm
Text: İbrahim Atay, Kumulların Tesbiti ve Ağaçlandırılması Tekniği, İstanbul Üniversitesi Orman Fakültesi, Kurtulmuş Matbaası, İstanbul, 1972
Voices: Erdem Şenocak, Dilşad Aladağ
Performance recording and editing: Sezer Koç ve Burak Çevik
Sound Design: Postgarden
Photos from the exhibition: Kayhan Kaygusuz

"Identification of the Dune, Invention of the Coast” research was supported by CultureCIVIC, a project by the European Union, which included consultancy support from Meriç Öner.. The lecture performance, which was developed as part of the "Shorelines” research conducted by Meriç Öner, is supported by the British Council’s Creative Collaborations Grant Programme.


Identification of the Dunes, Invention of the Coast

Artistic research and lecture performance / İstanbul / AVTO
The project is developed within the scope of the Mahsul and Shorelines projects.
 



In the 20th century, rural areas of Anatolia underwent a transformation into sites for research and development in modernization projects. One of the responsibilities assigned to foresters in this field was the identification and reclamation of active coastal sand dunes. Professor İbrahim Atay aimed to stabilize the “active” dunes, which he believed would cause “myriad and very significant damages,” through landscape interventions that became increasingly prevalent in the latter half of the 20th century. State narratives depicted the dunes as either a hard-to-handle monster or a barren desert where not even a blade of grass would grow. During this period, thousands of hectares of sand dune areas on the Anatolian shores were reclaimed with seeds from distant lands and through imported architectural interventions. Despite being arguably viable solutions by then, the landscape and plants had a shared fate in terms of displacement. Originally devised for and belonging to elsewhere they were not quite fitting into the natural setting but the project went on regardless. Ultimately, the monster was tamed, and the desert was rejuvenated to a state where it could yield crops. The identification of the dunes also paved the way for the invention of the coast. Initially, a new nature emerged, followed by the development of agricultural fields on the coasts, and the subsequent rise of holiday resorts.






Architect and researcher Dilşad Aladağ’s lecture-performance, titled “Identification of the Dune, Invention of the Coast,” is based on Professor İbrahim Atay’s book “Identification and Afforestation Technique of Dunes,” published in 1972. It will begin with an intergenerational dialogue between the performer and the author through his voice memos, exploring the contrasts between the perspectives of identifier and reclaimer, companion seeds, and architectural interventions. This fictive dialogue will take past studies conducted on the Mediterranean coasts into account and aim to ignite discussions on the practices that lay the groundwork for the transformation of Turkey’s coasts.

Images: Screenshots from performance shot made by Doğa Yirik, AVTO on 21.12.2023

Reference: İbrahim Atay, Identification and Afforestation Technique of Dunes, Istanbul University Faculty of Forestry, Kurtulmuş Printing House, Istanbul, 1972.

Developed as part of the research Shorelines, “Identification of the Dune, Invention of the Coast” is supported by the British Council’s Creative Collaborations Grant Programme.

Essay & Talk:


A Fictive Dialogue on Coastal Dunes


09.03.2024, Performance Ecologies Program curated by Eylem Ejder

We are delighted to have two special guest speakers this Saturday (2.30pm-4pm, GMT+3) to talk about performance lectures. Theatre scholar and performance artist Clio Unger is joining us with her talk titled "Consuming Art/Consuming Knowledge?" to be followed by architect and researcher Dilşad Aladağ’s presentation titled "A Fictive Dialogue on Coastal Dunes".

The talk "A Fictive Dialogue on Coastal Dunes" is about Dilşad Aladağ's lecture performance and research process titled "Identification of the Dune, Invention of the Coast" which was developed within the scope of the Mahsul and Shorelines projects. It explores the methodological potentials of a fictive dialogue as a performative research and lecture experience.