Dilşad Aladağ

m.dilsadaladag@gmail.com


Researcher and practitioner
on cultural, artistic and curatorial grounds. 
She is a  doctorate researcher at the Arts and Design
PhD program at the Bauhaus Uni. of Weimar.  more


Mahsul Vakaları / Yield Events 2024

    exhibition
    Natives and Displaced Ones
    A Fictive Dialogue on Dunes
    RENK / TIMBRE

Mahsul [Yield] Project 2022 - ongoing

    online platform
    curated gatherings
    printed publication

Taklak 2022 -  ongoing
   
    research and archive
    performance

ALAN at Berlin 2022 - 2023

    curated gatherings

Unutma Bahçesi 2017 - 2022
The Garden of (not) Forgetting


    research
    exhibition in İstanbul
    exhibition in Fürth / Nürnberg
    film
    Nevşunema
    a Sequence From a Garden

Many Places on the Trial of a Place 2021

    printed publication
    article series
   
Hajde 2021 installation and zine

Narrating the Discordant 2022  thesis

Belonging
2018 - 2019 design

Plankton Project
2015 - 2017
   
     urban collective
     Gölge Seferihisar
     Durak Ovacık
     
WORKS as an employee

SALT Winter Garden
Visiting Scolars and Guest Artist Offices
Imaginable Guidelines Istanbul
Salt Reading Room
Summer Homes: Claiming the Coast


Dilşad Aladağ

m.dilsadaladag@gmail.com


Researcher and practitioner
on cultural, artistic 
and curatorial grounds.
She is a doctorate researcher at the
Arts and Design PhD program at the
Bauhaus Uni. of Weimar.  
more

Mahsul Vakaları / Yield Events 2024

    exhibition
    Natives and Displaced Ones
    A Fictive Dialogue on Dunes
    RENK / TIMBRE

Mahsul [Yield] Project 2022 - ongoing
 
    online platform
    curated gatherings
    printed publication 

Taklak 2022 -  ongoing
   
    research and archive
    performance

ALAN at Berlin 2022 - 2023

    curated gatherings

Unutma Bahçesi 2017 - 2022
The Garden of (not) Forgetting


    research
    exhibition in İstanbul
    exhibition in Fürth / Nürnberg
    film
    Nevşunema
    a Sequence From a Garden

Many Places on the Trial of a Place 2021

    printed publication
    article series
   
Hajde 2021 installation and zine

Narrating the Discordant 2022  thesis

Belonging
2018 - 2019 design 

Plankton Project
2015 - 2017
   
     urban collective 
     Gölge Seferihisar
     Durak Ovacık
     
WORKS as an employee

SALT Winter Garden 
Visiting Scolars and Guest Artist Offices
Imaginable Guidelines Istanbul
Salt Reading Room
Summer Homes: Claiming the Coast




Memory of a Place and the Topography of Destruction

Research and lecture performance / İstanbul / with Eda Aslan






When passing the Golden Horn Bridge, one’s curiosity is piqued by a single remaining green space. A piece of land in the Historical Peninsula... Upon that spot today lies the Botanic Institute and the Alfred Heilbronn Botanic Garden, connected to Istanbul University. From the Ottoman State to our present-day in certain periods such institutions as the Janissary Corps, the office of the Shaykh al-Islam (Shaykh al Islam), the Istanbul Girls High School, and the office of the Istanbul Muftiate (Istanbul Müftülüğü) have all taken charge of this space. Over the years and within the frame of this changing land, fires, demolitions, and executions have all taken place. The soil covers over these layers of history, upon which today there live plants from various climes. For eighty years the garden has provided habitat for 3,000 plant species.

The ruling to hand over the garden estate to the Presidency of Religious Affairs and to demolish the Institute of Botanics, which was officially announced in 2017, called attention to the building’s relationship with the city, social memory, urban and cultural heritage. On this tract of land on the Historic Peninsula, in the corner of Süleymaniye Mosque, Istanbul Muftiate aims to reconstruct Bab-ı Meşihat Building. The precondition of this is the demolition of the Botanical Institute—a structure built in 1935 and certified as a site of cultural heritage. When looking into the past of this site we see that this situation of demolition and reconstruction continually repeats itself physically and symbolically.

Every changing political period brings with it forms of social rupture and influences that physically alter the spaces of the city. Every demolition opens the door to the erasure destruction of one aspect of urban memory. This becomes a form of trauma spreading out through the city. From the stories told in this narrative, it is possible to speak of a commonality shared among structures rooted into the land, plants, stones, and people. This commonality is the state of displacement/heimatlos that changes with each period are changing ideologies. Just like the exile of the professors that are at the centre of this story, maybe this piece of land itself can be read as one of many exiles.

Memory of a Place and the Topography of Destruction research questions the connections of the present decision with past conflicts and exiles.



The research is funded by SALT Research Funds 2018-2019 Fellowship

Documentations of  the lecture presented at

SALT Galata, 2019
Kunsthaus Hamburg, 2020

Depo Istanbul, 2021
online view is possible on the links above.